Six half-term units, in the order we teach them: colour and paint; the human figure and face; pattern across cultures, ancient to modern; relief printmaking; clay and the vessel; and an artist study with a personal response. Below is what each unit asks pupils to produce, the artists it studies and the skills it teaches, taken from our Year 8 Art & Design scheme of work.
Six half-termly units, sequenced so each builds what the next assumes. Year 7 establishes the formal elements; this year builds breadth of media and the historical range the key stage requires; Year 9 turns both toward personal and thematic work.
Year 8 means ages 12–13, or S1–S2 in Scotland.
The year, unit by unit
Colour and Paint
Unit 1a · Autumn 1 · approx. 7 weeks · September – October
Why does the same colour look different depending on what sits next to it?
Pupils produce
An A3 painted study of a still life or landscape source, mixed from a limited palette.
Artists
J.M.W. Turner, Sonia Delaunay, Josef Albers
Core skills
Mixing accurately from three primaries and white · Controlling paint consistency · Applying paint in layers · Matching a mixed colour to an observed one
The Human Figure and Face
Unit 1b · Autumn 2 · approx. 7 weeks · November – December
What has to be right before a drawing of a person starts to look like a person?
Pupils produce
An A3 half-length figure or portrait study, constructed on guidelines and finished in tone.
Artists
Leonardo da Vinci, Käthe Kollwitz, Amrita Sher-Gil
Core skills
Constructing guidelines · Measuring and checking placement · Gesture drawing at speed · Tonal modelling on a curved surface
Pattern Across Cultures: Ancient to Modern
Unit 2a · Spring 1 · approx. 6 weeks · January – February
Who does a pattern belong to, and what changes when it travels?
Pupils produce
A designed repeat pattern developed from a researched historical source, with the source properly named.
Artists
Ancient Egyptian decorative tradition, Islamic geometric tradition, William Morris
Core skills
Geometric construction with compass and ruler · Stylising a source into a motif · Block, half-drop and rotational repeats
Relief Printmaking
Unit 2b · Spring 2 · approx. 6 weeks · February – April
What does a process give you that drawing by hand cannot?
Pupils produce
A hand-printed edition of three consistent prints from a cut block, developed from the Unit 2a motif.
Artists
Katsushika Hokusai, Elizabeth Catlett, Edward Bawden
Core skills
Transferring and reversing a design · Safe, controlled cutting · Inking evenly · Registration · Editioning
Clay and the Vessel
Unit 3a · Summer 1 · approx. 6 weeks · April – May
Why has almost every civilisation made pots, and why do they all look different?
Pupils produce
A hand-built vessel with a designed surface, referenced to a named historical ceramic tradition.
Artists
Ancient Greek black-figure pottery, Nok terracotta, Magdalene Odundo
Core skills
Pinch, coil and slab forming · Scoring and slipping · Impressing and incising · Working to a drawn profile
Artist Study and Personal Response
Unit 3b · Summer 2 · approx. 6 weeks · June – July
If I choose the artist and the outcome myself, can I still work like an artist?
Pupils produce
A personal response to a self-chosen artist, presented with the research, experiments and rejected options.
Artists
Student-selected from a curated departmental list
Core skills
Selecting an artist for a usable technique · Recording, experimenting, developing and refining independently · Annotating decisions
How it meets the key stage 3 programme of study
The scheme maps each requirement of the statutory programme of study for key stage 3 art and design (Department for Education, 2013) to the unit that teaches it. Pupils should be taught to…
use a range of techniques to record their observations in sketchbooks, journals and other media as a basis for exploring their ideas
Every unit. Sketchbook recording is assessed in 1b, 2a and 3b.
use a range of techniques and media, including painting
1a is a painting unit — mixing from three primaries, applied to a painted study. Paint returns as an option in 3b.
increase their proficiency in the handling of different materials
1a paint · 1b graphite · 2a drawing and geometric construction · 2b lino and ink · 3a clay
analyse and evaluate their own work, and that of others, in order to strengthen the visual impact or applications of their work
Section 7 of every unit; formal critique in 1a, 2b and 3b; written rationale in 3b.
about the history of art, craft, design and architecture, including periods, styles and major movements from ancient times up to the present day
2a Ancient Egypt and the Islamic geometric tradition · 3a Greek black-figure and Nok terracotta · 1a and 1b run 15th to 20th century · 2b from 1760.
This year was designed to close two gaps that Year 9 leaves. Year 9's artists begin in 1839 and it covers painting only lightly, so Unit 1a is a painting unit and Units 2a and 3a work from sources dating to c. 3000 BCE and c. 620 BCE. Taken with Year 7, the key stage now meets the “ancient times up to the present day” requirement genuinely rather than by assertion. Check this holds if you reorder the units.
The Year 8 Art resources
Two PDFs sit behind this page, and they are meant to be used together: the scheme of work to plan the year, the knowledge organisers to put in front of pupils.
The statutory programme of study for key stage 3 art and design (DfE, 2013)·35 pages, 8 sections·For heads of art, subject leaders and every teacher who has to deliver it
Six half-term units, in the order they are taught: Colour and Paint, The Human Figure and Face, Pattern Across Cultures: Ancient to Modern, Relief Printmaking, Clay and the Vessel and Artist Study and Personal Response.
What do pupils produce in Year 8 Art?
An A3 painted study of a still life or landscape source, mixed from a limited palette; An A3 half-length figure or portrait study, constructed on guidelines and finished in tone; A designed repeat pattern developed from a researched historical source, with the source properly named; A hand-printed edition of three consistent prints from a cut block, developed from the Unit 2a motif; A hand-built vessel with a designed surface, referenced to a named historical ceramic tradition; A personal response to a self-chosen artist, presented with the research, experiments and rejected options.
Does Year 8 Art meet the National Curriculum?
It maps each requirement of the statutory programme of study for key stage 3 art and design (Department for Education, 2013) to the unit that teaches it, and on this year the scheme is plain: “This year was designed to close two gaps that Year 9 leaves.”
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