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KS3 Art · Year 9 · ages 13–14

Year 9 Art

Six half-term units, in the order we teach them: structures and still life; portraiture and identity; Surrealism and the subconscious; Pop Art and printmaking; sculpture from natural forms; and a GCSE taster project with a personal response. Below is what each unit asks pupils to produce, the artists it studies and the skills it teaches, taken from our Year 9 Art & Design scheme of work.

The Year 9 resources

How the year is ordered

Six half-termly units. Each builds something the next one assumes, ending with an independent personal response that rehearses how a 14–16 course actually works.

Year 9 means ages 13–14, or S2–S3 in Scotland.

The year, unit by unit

  1. Structures & Still Life

    Unit 1a · Autumn 1 · approx. 7 weeks · September – October

    How can I use tone and structure to make something ordinary look extraordinary?

    Pupils produce
    A final A3 tonal still life composition of a personal object arrangement, developed through sketchbook experimentation and one artist-response study.
    Artists
    Giorgio Morandi, Paul Cézanne, Wayne Thiebaud
    Core skills
    Accurate proportion via sighting/measuring. · Tonal range: light, mid-tone, dark, reflected light. · Composition: cropping, viewpoint, negative space.
  2. Portraiture & Identity

    Unit 1b · Autumn 2 · approx. 7 weeks · November – December

    How can I show who someone is, not just what they look like?

    Pupils produce
    A final expressive mixed-media self-portrait, developed through grid, mirror-study and symbolic-collage experimentation.
    Artists
    Chuck Close, Frida Kahlo, Kehinde Wiley
    Core skills
    Facial proportion via guideline grid. · Mixed-media experimentation. · Structured evaluative writing.
  3. Surrealism & the Subconscious

    Unit 2a · Spring 1 · approx. 6 weeks · January – February

    Where do ideas come from, and how can I generate images I couldn’t have planned?

    Pupils produce
    A final surreal composition in paint or mixed media, developed through automatic drawing, exquisite corpse and scale-distortion experimentation.
    Artists
    Salvador Dalí, René Magritte, Leonora Carrington
    Core skills
    Automatic drawing. · Collaborative and independent idea generation. · Combining unrelated imagery into a coherent composition.
  4. Pop Art & Printmaking

    Unit 2b · Spring 2 · approx. 6 weeks · February – April

    How can repetition and process change the meaning of an everyday object?

    Pupils produce
    A final printed edition (3–4 prints) of a personal-object design, developed through cutting practice and colour/registration trials.
    Artists
    Andy Warhol, Roy Lichtenstein, Corita Kent
    Core skills
    Relief-block cutting. · Print registration and repeat printing. · Colour layering and control.
  5. 3D & Sculpture: Natural Forms

    Unit 3a · Summer 1 · approx. 6 weeks · April – May

    How does material choice change what a form can say?

    Pupils produce
    A final 3D piece in clay, plaster or mixed natural materials, developed through a wire maquette and photographic documentation of an outdoor response.
    Artists
    Andy Goldsworthy, Henry Moore, Ai Weiwei
    Core skills
    Maquette-making. · 3D construction using a range of materials. · Considered material and scale decision-making.
  6. GCSE / IGCSE Taster — Personal Response

    Unit 3b · Summer 2 · approx. 6 weeks · June – July

    If I designed my own art project, what would I make — and is this something I want to keep doing?

    Pupils produce
    A mini project folder (mind-map/mood-board, one artist-research page, one final personal-response piece) applying the whole year’s skills independently, used as an Options-evening exemplar.
    Artists
    Student’s choice — revisit a favourite from the year, or research a new artist such as Jean-Michel Basquiat or Yayoi Kusama
    Core skills
    Independent starting-point generation (mind-map/mood-board). · Independent artist research. · Applying self-selected media/technique to a personal outcome.

How it meets the key stage 3 programme of study

The scheme maps each requirement of the statutory programme of study for key stage 3 art and design (Department for Education, 2013) to the unit that teaches it. Pupils should be taught to…

use a range of techniques to record their observations in sketchbooks, journals and other media as a basis for exploring their ideas
Every unit. Sketchbook recording is the spine of 1a, and assessed in 3b.
use a range of techniques and media, including painting
1b mixed media and paint · 2a paint or mixed media · 2b print · 3a clay
increase their proficiency in the handling of different materials
1a graphite and charcoal · 1b mixed media · 2b lino and ink · 3a clay, plaster, wire
analyse and evaluate their own work, and that of others, in order to strengthen the visual impact or applications of their work
Section 7 of every unit; formal critique cycles in 1a, 2b and 3b.
about the history of art, craft, design and architecture, including periods, styles and major movements from ancient times up to the present day
1a Post-Impressionism · 2a Surrealism · 2b Pop Art · 3a Modern sculpture. See the coverage note below.

The artists across all six units span 1839 to the present. The programme of study asks for movements from ancient times up to the present day, so this year does not meet that requirement on its own — it is met across key stage 3 only if Years 7 and 8 carry the earlier periods. If they do not, the cheapest fix is one taught comparison in Unit 1a between a classical or non-Western historical still life and Morandi, which costs a single lesson and closes the gap honestly.

The Year 9 Art resources

Two PDFs sit behind this page, and they are meant to be used together: the scheme of work to plan the year, the knowledge organisers to put in front of pupils.

Cover of Year 9 Art & Design Scheme of Work

Art & Design · Key Stage 3£4.99

Year 9 Art & Design Scheme of Work

Full description on the Year 9 Art scheme of work page.

The statutory programme of study for key stage 3 art and design (DfE, 2013)·38 pages, 8 sections·For heads of art, subject leaders and every teacher who has to deliver it

Preview · first 8 pages

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Where to go from here

Questions

  1. What does Year 9 Art cover?

    Six half-term units, in the order they are taught: Structures & Still Life, Portraiture & Identity, Surrealism & the Subconscious, Pop Art & Printmaking, 3D & Sculpture: Natural Forms and GCSE / IGCSE Taster — Personal Response.

  2. What do pupils produce in Year 9 Art?

    A final A3 tonal still life composition of a personal object arrangement, developed through sketchbook experimentation and one artist-response study; A final expressive mixed-media self-portrait, developed through grid, mirror-study and symbolic-collage experimentation; A final surreal composition in paint or mixed media, developed through automatic drawing, exquisite corpse and scale-distortion experimentation; A final printed edition (3–4 prints) of a personal-object design, developed through cutting practice and colour/registration trials; A final 3D piece in clay, plaster or mixed natural materials, developed through a wire maquette and photographic documentation of an outdoor response; A mini project folder (mind-map/mood-board, one artist-research page, one final personal-response piece) applying the whole year’s skills independently, used as an Options-evening exemplar.

  3. Does Year 9 Art meet the National Curriculum?

    It maps each requirement of the statutory programme of study for key stage 3 art and design (Department for Education, 2013) to the unit that teaches it, and on this year the scheme is plain: “The artists across all six units span 1839 to the present.”

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