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143·Drama · GCSE

Year 11 Drama
Scheme of Work

GCSE Drama Scheme of Work — Year 11 (PDF)

Sixty-three pages completing the course. Five units rather than six, because the examination series is the summer term and two components must be moderated before it — a scheme that plans six half-terms of Year 11 teaching is planning a year that does not exist. The devised cycle runs nine weeks and finishes in November; the text-based performance finishes in February, so the written paper gets the spring it needs. Twenty-four phases, five purpose-drawn diagrams and thirteen back-matter tables, including a readiness tracker whose descriptors describe what a student does rather than what level they are at.

  1. 4aThe Assessed Devising Cycle: The Log Is the Component
  2. 4bLive Theatre: Watching as a Theatre Maker Rather Than as an Audience
  3. 5aTexts in Practice: Two Extracts, and Rehearsal as Diagnosis
  4. 5bThe Written Paper: Decoding the Question, and Writing About Theatre Not in the Room
  5. 6aFinal Revision: Retrieval, Timing, and the Things That Decay
Preview — first 8 pages

63 pages · 20 sections · 🔒 55 more pages unlock on purchase

Cover of Year 11 Drama Scheme of Work

The companion to Year 10 and built on the same statutory floor. Between the two books every statement in the Department's subject content is taught, and a build check resolves each one against the document before either can be produced.

Year 11 is shaped by two facts most schemes ignore. The written paper is the largest single component and the only place AO3 is examined, which means a strong performer cannot compensate for it. And two thirds of the qualification is already recorded and submitted by April, so revision competes badly with subjects that feel more urgent — which is why unit 6a opens by saying the number out loud.

The two performance components are scheduled to finish early enough that the spring is available for the paper. Departments that run the text-based performance into March are revising for a written examination in the fortnight before it.

Includes the live theatre analysis framework, the text framework in three colours, a four-band comparison of written answers from weak to exceptional, the GCSE readiness tracker, a two-year progression map across seventeen strands, and a seven-point checklist ordered by what it costs when it slips.

Written to
GCSE subject content: drama (DfE, DFE-00039-2015) and Ofqual's assessment objectives
Intended for
heads of drama, subject leaders and every teacher who has to deliver it
Extent
63 pages · 20 sections

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·Contents

All 20 sections

Taken from the booklet’s own contents page, so the page numbers are the real ones.

01Curriculum mapp3
02Subject content — skills, and where Year 11 covers themp5
034A · The Assessed Devising Cycle: The Log Is the Componentp7
044B · Live Theatre: Watching as a Theatre Maker Rather Than as an Audiencep16
055A · Texts in Practice: Two Extracts, and Rehearsal as Diagnosisp24
065B · The Written Paper: Decoding the Question, and Writing About Theatre That Is Not in the Roomp31
076A · Final Revision: Retrieval, Timing, and the Things That Decayp39
08Retrieval and spacingp46
09The documents this scheme is built fromp48
10The regulatory requirements on the two performancesp49
11The four assessment objectives, and what they mean for planningp50
12The components, as AQA 8261 arranges themp51
13GCSE readiness tracker: five descriptors per objectivep52
14The Year 11 assessment calendarp53
15The live theatre frameworkp54
16Two-year progression: seventeen strandsp55
17The terminology map: sixty-five words, and where each is first taughtp56
18Practitioners: positions rather than biographiesp57
19Seven things to hold on to in Year 11p59
20Printable diagnosticsp60
Next: Year 7 English

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