Empower
Educators
All playbooks

16·Drama · KS3 to A Level

The Theatre Maker’s Craft,
Confident Schools

One book for the whole department — the head of drama defending curriculum time and the teacher whose Year 9 group has run the same scene four times and made it no better. What theatrical thinking actually is, how it is built from Year 7 to Year 13, and what separates a student who can perform from one who can make, interpret and evaluate theatre on purpose.

  1. 1Intention
  2. 2Craft
  3. 3Reading
  4. 4Composition
  5. 5Rehearsal
  6. 6Judgement
Preview — first 14 pages

71 pages · 68 sections · 🔒 57 more pages unlock on purchase

Cover of The Theatre Maker’s Craft, Confident Schools

Drama is the subject most often defended by its by-products. Confidence, teamwork and communication are real, and none of them is the reason it is on a timetable. Thirty per cent of the GCSE is knowledge, assessed in writing, and between half and three fifths of the marks on every specification are awarded for something a student writes.

This booklet is written for the whole department at once. A head of drama can read it as a curriculum and quality-assurance document; a teacher can open it at the page they need on a Tuesday. The Department for Education’s subject content, Ofqual’s conditions and all eight current specifications were read from the documents themselves rather than from summaries, and where the boards genuinely differ — one splits its practical marks differently, two set the devising stimulus and two do not, one alone permits a recorded portfolio — the difference is stated rather than blended.

Written to
All four GCSE and all four A Level drama specifications, read in full
Intended for
department CPD, planning and curriculum review
Extent
71 pages · 68 sections

·Look inside

Real pages, straight from the PDF

Click any page to see it full size.

·Contents

All 68 sections

Taken from the booklet’s own contents page, so the page numbers are the real ones.

T H E F R A M E

1How to Use This Bookp4
2The Six Daily Non-Negotiablesp5
3The Six Capabilities of the Theatre Makerp6
4The Six Are Not an Inventionp7
5The Words the Subject Usesp8
6What Is Fixed, and What Boards Decidep9
7What Drama Is Notp10
8What Is Changing, and Whenp11
9What Ofsted Actually Looks Atp12

C A PA B I L I T I E S

10Intention Is the Frame Nothing Else Hangs Onp13
11Intention, Choice, Effectp14
12The Same Stimulus, Four Intentionsp15
13The Four Instruments a Student Controlsp16
14Stillness, Pause and the Things Students Never Tryp17
15A Play Is Not a Novel With the Names in Frontp18
16The Same Moment, Four Readingsp19
17How Material Becomes Formp20
18Devising Is a Discipline, Not an Activityp21
19Rehearsal Is a Form of Thinkingp22
20Evaluation Is a Test, Not a Reportp23

D E S I G N

21Design Is Not What the Non-Performers Dop24
22Staging: Where the Audience Sits Changes What the Play Meansp25
23A Design Decision at Four Levelsp26

C A PA B I L I T I E S

24Practitioner Knowledge Is a Method, Not a Namep27
25Live Theatre Is Evidence, Not a Tripp28
26Three Years, Not a Run-Up to GCSEp29
27Drama Contributes to English and Is Not Englishp30

G C S E

28Four Objectives, Four Different Demandsp31
29Four Specifications, Side by Sidep32
30The Devising Portfolio at Four Levelsp33
31A Set Text Answer at Four Levelsp34
32The Non-Exam Assessment, Start to Finishp35
33Artificial Intelligence and the Declarationp36
34Reading a Published Curriculum Against the Frameworkp37

A L E V E L

35Four A-Level Specifications, Side by Sidep38
36What Actually Changes at A Levelp39
37A Six-Week Bridge From Year 11 to Year 12p40
38What a Sixth Form Actually Inheritsp41

T H E L E S S O N

39What a Drama Lesson Is Actually Forp42
40Warm-Ups, and the Argument Against Most of Themp43
41Knowledge Organisers in a Practical Subjectp44
42Writing Is Where Drama Thinking Becomes Visiblep45

L E A D E R S H I P

43Physical Safety, and the Other Kindp46
44The Leadership Lensp47
45What an Inspector Actually Asksp48
46Requirement, Recommendation, and the Differencep49
47The Sentences That Must Never Be Saidp50
48Teaching Drama When It Is Not Your Subjectp51
49The Case for Dramap52
50Your First Term as a Drama Teacherp53

T O O L K I T

51Drama Department Self-Auditp54
52Key Stage 3 Progression Auditp55
53Curriculum Intent, on One Sidep56
54Lesson Observation Promptsp57
55The Devising Plannerp58
56The Rehearsal Diagnosticp59
57Script to Stagep60
58Practitioner Application Framep61
59Live Theatre Analysis Framep62
60Design Decision Plannerp63
61The Four-Answer Moderation Setp64
62Board Comparison Sheetp65
63Year 11 to Year 12 Bridgep66
64Non-Specialist Briefing Sheetp67
65NEA Authenticity and AI Recordp68
66Options Evening Scriptp69

S O U R C E S

67Sources, and How Every Claim Was Checkedp70
68Sources — Specifications and School Documentsp71
Next: English

Your basket

Nothing in it yet.

Total £0.00

Checkout